The Laney DBF200 is part of the Digbeth Foundry series. Which combines heritage, innovation, and affordability into one unbeatable package. Whether you’re just starting out or looking for reliable gigging gear, these amps offer everything you need to make your mark in music. Now everyone can experience the new standard in bass amplification

We care about music and musicians. The Digbeth Foundry amps are designed by experts, not committees. Our amps are made to play, not just sell. The Laney Digbeth Foundry series combines heritage, innovation, and affordability into one unbeatable package. Whether you’re just starting out or looking for reliable gigging gear, these amps offer everything you need to make your mark in music. Now everyone can experience the new standard in bass amplification.

For those players seeking that little extra low-end bass, the DBF200 offers unmatched power and tone for serious players. With its robust design and comprehensive features, the DBF200 is perfect for bassists who demand power, portability, and premium tone.

The DBF200 features 2 channels a clean FET channel and a fully loaded OVERDRIVE channel with separate DRIVE & VOLUME allowing you to dial in the exact amount of tube style overdrive you are looking for.

The DBF200 features a MIX setting on the channel selection that allows you to get the benefits of the clear precise bass tone of the FET channel and the warmth and articulation of the DRIVE channel giving you the best of both worlds!

The DBF200 features a switchable preshape. Switching in the preshape applies an EQ curve set to scoop the mids, push the bottom and make the top end jump out. Great for playing slap or rock bass.

The amp boasts a powerful 3-band EQ with switchable mid voicing. Letting you dial in the exact bass tone you are after.

Tilt is a dynamic, powerful SEE-SAW EQ control. This control has a central neutral position. Turning the control clockwise increases the overall mid to high frequencies and decreases the lows thereby giving your sound more presence, which can be useful for cutting through live band situations. Turning the control anti clockwise reduces the overall mid to high frequencies and increases the lows making your overall sound rounder.